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Whose, is this civilization trapped between praise and satire? 
While moving from chaos toward order
What is our share in it? 
An affair at the edge of eternity from knowledge to wisdom
Our story, is a quest within systems
And a tale of lethargy, from wisdom to delusion
The autumn of tribal dreams has arrived
The captivity of the substance was life sentence, it is over
Now it is time to recognize the sky
Time to understand, where was the stardust?
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What is your direction in life? Towards up or down, stairs or elevator. Preferences are the key factor in our lives, connecting with the past and the future. And lines represent boundaries in some periods of our lives. Usually in our childhood, when we live with our parents. The growing up is an upward process from babyhood to childhood to teenage years to adulthood. At the same time, aging of a healthy bodies is a downward process. All aspects are present in every moment of our lives. I think that every new day leading up to death, we should take a step upwards to maintain the balance. Well, what does it mean to step upwards? It's a long story and there is not one answer, maybe in another post.





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"In the last week of June, 1863, all the London daily papers published a paragraph with the “sensational” heading, “Death from simple over-work.” It dealt with the death of the milliner, Mary Anne Walkley, 20 years of age, employed in a highly-respectable dressmaking establishment, exploited by a lady with the pleasant name of Elise. The old, often-told story, was once more recounted. This girl worked, on an average, 16½ hours, during the season often 30 hours, without a break, whilst her failing labour-power was revived by occasional supplies of sherry, port, or coffee. It was just now the height of the season. It was necessary to conjure up in the twinkling of an eye the gorgeous dresses for the noble ladies bidden to the ball in honour of the newly-imported Princess of Wales. Mary Anne Walkley had worked without intermission for 26½ hours, with 60 other girls, 30 in one room, that only afforded 1/3 of the cubic feet of air required for them. At night, they slept in pairs in one of the stifling holes into which the bedroom was divided by partitions of board. And this was one of the best millinery establishments in London. Mary Anne Walkley fell ill on the Friday, died on Sunday, without, to the astonishment of Madame Elise, having previously completed the work in hand." (1)

"....in a free nation, where slaves are not allowed of, the surest wealth consists in a multitude of laborious poor...."(2)


(1) Marx, K. (1976). Capital: A Critique of Political Economy. Volume 1. Penguin Books. Chapter 10
(2) Marx, K. (1976). Capital: A Critique of Political Economy. Volume 1. Penguin Books. Chapter 25
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The epistemological distinction in the subject-object relationship between human and nature is becoming increasingly sharpened. The most important consequence of this is that the perception of "us" versus "them" is normalised and mind assumes a constitutive role and initiates a process in which it legitimises its own actions. The fact that humans position ourselves as exceptional in nature is not much more than a point of view. Val Plumwood, regarding the discussion of exceptionalism, shares a memory of a river accident she had experienced. This accident, which was an encounter with a crocodile, took place in 1985 in Kakadu National Park in the north of Australia. Plumwood, who was on a canoe trip in the national park, found himself in the crocodile's mouth when his canoe was overturned by the tail blows of a crocodile.

"Some years ago, as an already established environmental philosopher, I had a close encounter with food/death, death as food for a large predator. I was seized by a Saltwater Crocodile, largest of the living saurians, heirs to the gastronomic tastes of the ancient dinosaurs. By a fortunate conjunction of circumstances I survived. Since then it has seemed to me that our worldview denies the most basic feature of animal existence on planet earth - that we are food and that through death we nourish others. The food/death perspective, so familiar to our ancestors, is something the human exceptionalism of western modernity has structured out of life. Attention to human foodiness is tasteless. Of course we are all routinely nibbled both during and after life by all sorts of very small creatures, but in the microscopic context our essential foodiness is much easier to ignore than in one where we are munched by a noticeably large predator.......I vividly recall my own disbelief and outrage when confronted with being food for a crocodile. It was as if I had fallen into another universe, where I was just a piece of meat, all my special individual and species accomplishments subordinated to this one thing of being food! Certainly the predation experience is profoundly disruptive of Human Exceptionalism, which remains important force in our culture, and has profoundly shaped dominant practices of self, commodity, materiality and death - especially death."


Santas, A. (1999). Subject/object dualism and environmental degradation. Philosophical inquiry, 21(3/4), 79-96.
Plumwood, V. (2008). Tasteless: Towards a food-based approach to death. Environmental Values, 17(3), 323-330.
Çelik, E. E. (2017). Val Plumwood ve animist materyalizm. ViraVerita E-Dergi, (5), 71-86.






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We are looking at our faces in white and black mirrors, which we used to see in the reflection of water. Every day we see the effect of our evolving ideas hitting us in the face. We are different every time we look at ourselves in the mirror. I don't want to call it growing up or ageing, that is a mirror effect.

 

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"Those who brought us a light from there 
and those who telling us to gather the shadows from the ground, 
they've long forgotten our existence
now, we love both the light and the shadows
simply for being light and shadow. "

-A Turkish Poet-










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People from different cultures and geographies can come together through activities such as science, art and sports. Being together means discovering and respecting people who are not like us. However, if capitalist instincts enter into these unifying elements, respect is replaced by self-interest and exploitation. 

As long as we continue to remain among people who don't respect our values for economic reasons, we will lose our self-respect. Economic factors should be a tool or a result, not a purpose. We are a society first and an economy after that.

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Each composition that appears in the frame can have a different emotional impact. For example, symmetrical balance can create a sense of stillness, but asymmetrical arrangements can create a more dynamic effect. So,  how it is shown is as important as what is seen and shown in the frame. To create a photograph, it needs to also be thinking after it has been taken. As the French photographer Henri Cartier-Bresson said, what matter is the consciousness with which you decide what to frame. The photographer takes the photo, not the equipment. 

source: https://www.arthipo.com/artblog/en/drawing-techniques/framing-in-art-and-photography.html

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